“Reviving Sardinia: The Secret Pasta School in an Abandoned Village”

The hills of Sardinia hold a secret that few have discovered: a hidden pasta school nestled in a centuries-old ghost town. Known as Battista, this abandoned village was once full of life, but fell into disrepair after its last inhabitants, Simonetta Bazzu’s grandparents, moved to Olbia for modern conveniences. Yet, through her passion and ingenuity, Bazzu has breathed new life into this forsaken place, turning it into a vibrant hub for Sardinian culinary arts.

A journey through time
I arrived in Battista after a scenic drive that took me through winding roads and lush valleys, a stark contrast to the bustling streets of Olbia and the blue waters of Porto Cervo. As I walked past sheep who seemed unconcerned about the traffic, I felt like I was stepping back in time. Battista, with its 400-year-old stone houses and rugged charm, seemed to exist in a different era.

The house I was welcomed into was a traditional stazzu – an ancient granite dwelling typical of the region’s farmers and shepherds. Although it had been vacant for four decades, careful restorations by Buzzu’s father had preserved its historic essence. The stone fireplace, original cooking stove and traditional stone flooring all told the story of the village’s past. Still, the flat-screen TV in the corner served as a subtle reminder that even though we were surrounded by history, we were still in the present.

As I settled down on a plush white sofa, my host Simonetta Buzzu, a striking figure who resembled a young Sophia Loren, greeted me with warmth and enthusiasm. She radiated a sophisticated charm and was as charming as the setting. Her passion for Sardinian traditions and cuisine was evident in every detail of her home and her work.

Reviving a Ghost Town
Buzzu’s dream was to not only preserve his island’s culinary heritage, but to enrich it. Now, the Battista Village, transformed under his vision, reflects his commitment to this mission. The village, where his ancestors once lived, has been reborn as a culinary school and cultural center. Buzzu owns eleven of these ancient stazzu, and three of them have been revived to reflect a blend of historic charm and modern elegance.

One stazzu has been converted into a wine cellar, another into a pasta and bread museum, and the third—the two-room stazzu where Buzzu’s great-grandparents lived—has been transformed into a state-of-the-art pasta-making kitchen. This kitchen, with an outdoor wood-burning oven and a charming patio, is the centerpiece of Buzzu’s culinary enterprise.

Launched in 2019 under the name Vittoria Arimanni, Buzzu’s brand reflects his dedication to teaching traditional Sardinian pasta-making. Their mission is twofold: to preserve these culinary traditions and inspire Sardinia’s younger generation to stay connected to their roots.

A Cooking Class
Buzzu’s Pasta School is not just a cooking class; it’s a journey through Sardinia’s rich gastronomic history. During the tourist season from May to October, Buzzu offers two classes a day. Each class is not just a cooking lesson; it’s an immersive experience of Sardinian culture and history. Guests are served a sumptuous meal made from local produce, including fruits and vegetables from Buzzu’s own garden, homemade cheese and wine.

I had the privilege of experiencing one such meal. The dining table, decorated with rustic elegance, was filled with dishes that told stories of Sardinian life. Rose petals adorned wooden plates, and crusty bread was served with homemade lemon marmalade and a unique powder made from dried orange peel. Each dish was accompanied by a story of Buzzu’s childhood and the traditions of his ancestors.

The highlight of the meal was the coffee, a distinctive drink that Buzzu made himself from acorns by roasting and grinding them. The coffee was rich in nutrients, reflecting the resourcefulness of his ancestors, who made do with what the land offered in times of scarcity. This historical touch is a reminder of how Sardinia’s cuisine evolved out of necessity and ingenuity.

Preserving Heritage Through Education
Buzzu’s dedication to preserving Sardinian traditions goes beyond his cooking school. He has dedicated himself to teaching these culinary arts to young Sardinians for free, with the hope that they will continue these practices and pass them on to future generations. His goal is to create an impact that fosters pride in Sardinian heritage and encourages young people to stay on the island and contribute to its cultural and economic revitalization.

The road to achieving this vision was not easy for Buzzu. After earning a law degree in Milan and managing her father’s construction company for 14 years, she faced skepticism from her family and peers when she chose to work as a pasta maker. Her father, in particular, had trouble understanding why she was giving up a successful career.

Controversy Over Keeping Olympic Rings on the Eiffel Tower 2024.

Paris Mayor Anne Hidalgo’s recent announcement has sparked an important debate in the City of Light. Hidalgo has proposed to keep the iconic Olympic rings on the Eiffel Tower long after the Paris 2024 Summer Games have ended. The move, aimed at carrying forward the festive spirit of the Games, has divided public opinion and sparked a passionate discussion about the future of one of the world’s most famous landmarks. In an interview with Ouest-France, Hidalgo asserted her authority over the decision, revealing that she has the support of the International Olympic Committee (IOC). “The decision is up to me, and I have the consent of the IOC,” she declared. The five interlocking rings, symbolising the unity of the continents, were installed on the Eiffel Tower ahead of the Games opening on July 26. The rings, 29 metres wide, 15 metres high and weighing 30 tonnes, were initially intended to be removed after the Paralympics’ closing ceremony on September 8. Hidalgo plans to keep the rings in place permanently,

though she acknowledges that the current heavy structure will eventually be replaced by a lighter version. The mayor also intends to maintain the festive atmosphere that enveloped Paris during the Olympics. “The French people have fallen in love with Paris again,” Hidalgo said, highlighting a new sense of pride and joy among Parisians. The proposal has received a mixed response from the public. Some residents and visitors appreciate the vibrant addition to the Eiffel Tower, seeing the rings as a colourful enhancement that reflects the spirit of the Games. “The Eiffel Tower is very beautiful, and the rings add color. It’s great to see it like this,” said Solene, a young Paris resident, in an interview with France Bleu. However, the proposal has also received considerable criticism. Heritage advocates and some locals argue that the rings harm the beauty and historical integrity of the Eiffel Tower. Paris resident Manon strongly objected:

“It’s a historical monument. Why defile it with the rings? It was good for the Olympics, but now it’s over. We should remove them and return the Eiffel Tower to its original state.” Criticism has also been rife on social media platforms. Christophe Robin, a user on X, suggested that Hidalgo should have consulted Parisians before making such an important decision. Robin pointed out that the Eiffel Tower has been adorned with advertisements before, such as a Citroen ad from 1925 to 1936, but this did not diminish its historical value in the same way that a permanent change might. Hidalgo’s bold reforms This proposal is not the first time Mayor Hidalgo has introduced controversial reforms. Since taking office in 2014, Hidalgo has implemented a number of bold changes in Paris, often sparking debate. Her administration has overseen the pedestrianization of many streets, including sections along the Seine River. Last year, Hidalgo succeeded in a citywide referendum

to ban rental electric scooters, although voter turnout was notably low, with less than 8% of eligible voters participating. In another controversial move, Hidalgo supported a significant increase in parking fees for sports utility vehicles (SUVs). The measure, intended to promote environmental sustainability, faced criticism from drivers’ groups and opposition figures, who argued that it disproportionately affected many family-sized vehicles and was an example of “punitive environmentalism.” Prior to the Olympics, Hidalgo and other city officials made headlines by swimming in the Seine to demonstrate its safety to the public. The stunt was part of a broader effort to enhance the river’s image and encourage recreational use. Historical and cultural context The Eiffel Tower, built for the 1889 World’s Fair, has always been the subject of public debate. Initially criticized by many prominent artists and intellectuals, the tower has since become a symbol of Paris and a global icon. Its transformation from a controversial structure to a beloved landmark reflects the evolving

nature of public opinion and cultural significance. Hidalgo’s proposal to place the Olympic rings on the tower reflects a broader trend of integrating contemporary events and symbols into historic spaces. While the intentions behind such decisions are often rooted in celebration and modern relevance, they can clash with traditional considerations of preserving historic integrity. As the debate continues, the future of the Olympic rings on the Eiffel Tower remains uncertain. Hidalgo’s plan to replace the existing heavy rings with a lighter version may alleviate some concerns, but the broader issue of altering a historic monument for contemporary purposes remains. The controversy underscores the tension between maintaining historic authenticity and embracing modern symbols of celebration and unity.

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